
“Birch is most definitely the cadillac of wood, kept us warm growing up,” Ian tells me, fondly recalling winters of his prairie youth. We and a dozen others are gathered around a crackling bonfire in British Columbia on New Year’s Eve day. Stacked in the fresh snow is a pile of wood …readied to keep the fire ablaze.
Despite a temperature of -12 Celsius, the late afternoon gathering is lively and it feels perfectly natural to socialize in the beautiful outdoors. Neighbours wander up with a drink and a ‘Happy New Year’ on their lips, many clutching a pair of skates.
For beyond the fresh air and the chance to greet friends, the other attraction is the open-air skating rink. A few meters from where we’re gathered, the glassy stretch of ice beckons as keenly as a deep-blue pool of water…if you’re a skater that is.
Skating on outdoor ice is a hallmark of Canadian winters, about as idyllic as it gets. Two of my sons are with us and they can’t get their skates on fast enough. Having played hockey in various countries we’ve called home – Oman, Dubai, Norway, the U.S. – the opportunity to strap on the ‘blades’ in the Canadian outdoors is part of their identity. But perhaps that is over-thinking it… it’s just unbridled joy.

Snow shovels ready at the outdoor rink, near Kimberley BC
They glide and weave effortlessly over the frozen pond. They and longtime friends grab hockey sticks and shoot pucks at the net, shouting into the cold December air, Feels so great to be out here! For a longtime hockey mom, it is music to my ear-muffed ears on this last day of 2016.
We’ve delighted in seeing countless outdoor rinks this holiday season in the small towns in our area…Cranbrook, Fernie and Kimberley. This is what you do. It’s how many families spend time together, building traditions all the while. Perhaps the rink is the setting for a date or where you just ‘hang out’ and meet friends. Or maybe you play a game of shinny – pond hockey – with whoever happens to be around. It’s all of this and more; it’s part of being from the ‘great white north’. This is where the deep and abiding love of skating and hockey is born in the hearts of many Canadians.

Skating in Fernie, BC
My own boys learned to skate on Grandpa’s pond. On visits home for Christmas the first question was usually, “How’s the ice Grandpa, can we skate?” If the answer was ‘yes’, out came the wide snow shovels. Back and forth they were pushed, clearing the snow for action…anticipation rising as each strip of ice revealed itself.

A Sunday afternoon in Cranbrook, BC
Countless hours were spent with family on that frozen wonderland. The grind and rasp of metal blades on the uneven surface, the crack and thunk of a flexing ice sheet, the elated shouts of kids at play, the bark of dogs chasing the puck…the sounds of winter ingrained in our memories. And now for life, the guys can enjoy a day like today and feel at home on the ice.
With dusk approaching, more people arrive and I smile at a small girl on the bench at the edge of the ice. Her mother is lacing up her figure skates and she’s clearly excited. The ice is busy, yet the skaters will be mindful of a beginner; memories of learning how to skate stay with you. It’s tough. You stumble, you fall, you get back up over and over again until you get it. And then, like riding a bike, the sense of freedom and satisfaction it brings is thrilling.
Back at the bonfire, I continue the discussion of wood with Ian and our good friend Nolan.
The brothers grew up in Saskatchewan where a weighty stack of wood got you through the biting cold winters.
“Birch is ideal,” the two confirm, adding some science to their assertion. “It doesn’t spit, good energy density and it burns hot.”
I admit that I had ‘smuggled’ some ornamental birch logs into my shipment when we left Norway and on reflection, it had always burned well in our classic Norwegian fireplace.
Some treasured pieces of it now happen to be part of my decor in India, of all places. Perhaps like the wooden skis propped in our office, the birch reminds me of my roots. Of growing up in cold winters; in the snow, on a ski hill, on the ice and yes, often huddled cozily around a fireplace. But there’s far more to wood than meets the eye. “Did you know that the chopping and stacking of wood can be a bit of an obsession in Norway, even takes on an art form,” I offer as someone adds more pinewood to the bonfire.
Yes, apparently it’s common knowledge that wood will dry well if there’s enough space for a mouse to run hither and tither throughout the pile. And stacking that wood is not to be taken lightly. Different types of wood should be stacked accordingly and in Norway, besides the practical piles like a sun-wall pile, there’s a round stack, a closed square, a standing round stack or the v-shape pile. Who knew?

There are also the sculptured woodpiles. I have learned that wood, with its complex hues, also offers an outlet for creativity that one might not expect. The end of a pice of oak is a deep brown. Pine and spruce radiate yellow tones with a little help from the sun, whereas cut ends of elm, aspen and maple display as muted whites. And apparently the rich alder is also a sought-after shade for stacking aficionados.
It seems there’s no end to woodsy creativity, One might ‘sculpt’ a massive fish or even a portrait of the king and queen. I recall that while we lived in Stavanger a retired engineer had created a woodpile portrait of Queen Sonja and King Harold V, in tribute of the king’s seventy-fifth birthday. This masterpiece had been preceded by a portrait of a composer and a likeness of the local mayor. How wonderful to find creativity in wood (and gain a bit of notoriety!)
Yet if it that all sounds a little mundane, there is something far more rousing about woodpiles. “Ok gentlemen,” I joke with my friends at the bonfire, “by any chance did your prospective wives happen to inspect your woodpile before they said yes?” There’s a reason I’m asking of course.
In the late nineteenth century in the American state of Maine, it is reported that young women might determine the suitability of a husband by the condition of his woodpile. Call it a folksy tradition or not, but the general rule was thus:
Upright and solid pile: the same could be said of the man.
Low pile: a good cautious man but could be shy or weak.
Unusual shape: freethinking and maybe an open spirit but construction could be weak.
Not much wood: be ready for a life from hand to mouth.
Unfinished pile, some logs here and there: unstable, lazy, maybe prone to drink?
Old and new wood together: be suspicious, might be some stolen wood there.
No woodpile: forget it, there must be more suitable candidates!
I think of the wood pile at the back of our mountain home. No it surely isn’t perfect, but the wood has been enthusiastically chopped. At our house you never have to ask twice to have firewood, our guys relish the opportunity to channel their inner woodsman. There’s no question they find a certain satisfaction in the process.
It is said that chopping your own wood is therapeutic and contemplative, even atavistic. A chance to wield an axe, use brute power – a gratifying correlation between effort and output.
Back in 1854 in his book Walden, Henry Thoreau extolled the virtues of not only chopping wood but living a simple life in natural surroundings. It was Thoreau who observed that wood warms twice over, once when you chop it and again when you burn it.
A seemingly simple observation that just happens to be inscribed on a small cushion in our home. Filled with pine needles, it evokes the spirit of the outdoors and nature’s simple pleasures.
I’m curious to see how our neighbourhood measures up in the wood stacking department. I notice finely-stacked woodpiles and logs waiting to be split and chopped, all protected by snow-clad trees and cabin eaves. This is the kind of place where snowboards, skis, snowshoes and sleds lean against houses, fond embrace of the mountain lifestyle. It’s where snow piles high, gathering on roofs and resting on tamarack, pine and birch. Indeed, the reminders are everywhere…embrace nature’s beauty.
We said our farewells, hung up the snowshoes and covered our not-so finely stacked woodpile. Now from our other home in India, restored to face the challenges and the new opportunities the year will bring, I wish you all a joyful and fulfilled New Year. I hope you’ll revel in the beauty of nature…wherever you may be…Terry Anne





Risking tiger attacks as they scour the jungle undergrowth, durian pickers rush to bring the costly commodity to market. The putrid aroma of durian belies its creamy, sweet taste. Or so I’m told…I can’t bring myself to try the noxious fruit. In hotels and public transportation throughout S.E Asia, signs strictly forbid durian on their premises.
We arrive late afternoon at one of the former colonial hotels, The Lakehouse. Upon retirement Colonel Stanley Foster opened it in 1966; relatively late as guesthouses and bungalows sprung up here from the 1930’s onwards. The Lakehouse is how I envisioned.


We pass barrack-like cabins where the pluckers live and we take the liberty of skirting the road, treading on water channels that double as steps and define the vast fields of the Camellia Sinensis.

The first hint of the iconic hoppers – they can travel at an impressive 40 km. an hour – are the road signs. In place of signs cautioning of caribou in Canada, of sheep in Scotland, or perhaps camels in Kazakhstan, the highways in Australia warn drivers of the kangaroo. The gangly marsupials outnumber the population by almost 3 to 1. Said to be particularly prolific in the ‘outback’ with some standing over 6 feet tall, it’s best to drive though that territory with a substantial 4WD, big bull-bars and spotlights…just in case you meet a ‘big red.’
The fear of sharks alone, more present than ever these days, would give most people pause. The many warning signs positioned prominently along the beach tell it like it is…rips, waves, cliffs and sharks. The surfer emerges from the water and I catch up with him in the parking lot and ask if he gets scared out there.




We wend our way towards town, detouring out of curiosity to see the extensive Leeuwin Estate. The grounds are long closed and the sun is lowering in the sky. Suddenly my husband slams on the brakes, “There’s one,” he says motioning to the field,”there, between that row.” I leap out of the car and creep to the fence. No it’s gone, just hopped away…maybe I saw a tail?

Time with family and friends recently in Canada was wonderful – home in the true sense. However my other life in India called.
Mysore’s streets and broad tree-line boulevards, are lively but less urgent than Bangalore’s. Stately buildings exude charm and a sense of place and history. All reminiscent of our India of old – a fondly re-discovered treasure.
Our guest from the 1920’s makes her way down the spiral staircase to the porticoed entrance. She dons a sun hat and the doorman, splendidly attired in the Mysore fashion of the day, bids her ‘Good afternoon’. He summons a carriage and the visitor is conveyed to the Maharaja’s Palace. As the palace draws into view, she is instantly captivated.
The next morning a ‘carriage’ of a different kind awaits us. The environs of Mysore beg to be explored and we jump into a classic ’66 Mahindra Jeep. It’s rugged and basic, it’s a beauty.
On the side of the stepped ghat, under an ancient stone pavilion, a ceremony unfolds. A young man, bereaved of his father, is in the midst of a solemn ritual. Guided by a brahmin priest, he recites prayers as water is rhythmically dabbed on his wrist. His head is shaved as tradition demands. We listen to the priest’s intonation, a soothing, flowing mantra. We offer condolences to the women witnessing the ceremony, sensing that we have intruded on their grief. Yet they acknowledge us with a gentle nod as we quietly take our leave. On the upper ghat, another Brahmin priest invites us into his vividly painted temple to witness the ritual about to commence. Inside, the centuries-old place of worship is cool and somber. We sit cross-legged on the stone floor opposite the priest flanked by two men, one an assistant, the other the supplicant.
The priest leads them in prayer for the well-being of the family. The father takes his cues from the Brahmin as his adult son and wife look on. Sanskrit mantras mix with wafts of camphor in the still air. Rice and turmeric are sprinkled, offerings in a timeless ritual.

South India lives up to its reputation of friendliness, of mystic sights and ancient traditions. This is why, I remind myself. Why this peripatetic life with its farewells and re-attachments, its solitudes and contemplative transition, is more than worth it. These are the moments to treasure.

and orange for carrots and mangos.

They are offered for worship, draped around doorways at a housewarming, a new motorbike or auto rickshaw may be blessed with a garland, a bride and groom exchange them three times during a wedding. They are also woven into a lady’s plaited hair, especially here in Southern India.

Barely ten minutes out of Pondicherry a time capsule awaits. As the clatter of the wheels settle to a rhythmic, soothing pattern, the city gives way to a beautiful patchwork; palms, rice, vegetables and flowers. From these fields come the produce, the bounty found in Pondicherry’s Grand Bazaar.

























Her name was Klara. She was a true Amsterdammer who rowed the Amstel and cruised the cobbled streets, stylish and carefree on the back of her paramour’s motorcycle.
Golden Age architecture, of stout upright bikes and tulips in infinite bunches… of tall homes with gables of necks, steps and bells.
I keenly felt Klara’s absence one chilly day while exploring. I warmed in a simple cafe; one that serves mushy pea soup and burns long stemmed candles on scratched, worn tables. One where velvet curtains encircle the entrance to keep out the draft – where locals linger over a Heineken.
These chiseled cartouches implore us to slow down and conjure that time. I also come across shops that aren’t fancy and offer ‘stuff’ spullen, places where one can browse endlessly. I see a vision of Klara’s home that once proudly displayed all the trinkets gifted to her and wonder where it had gone.
“If you like this, you must see the Catwalk
Exhibit at the Rijksmuseum.” Off we go on the sun-drenched yet brisk day, to soak up yet more exquisite fabrics and designs. Gathered from centuries past and as early as the Golden Age when Dutch culture was at its zenith, the creations rotate slowly on a long oblong stage as if on a sumptuous sushi belt. Enthusiasts of all ages sit at this avant garde fashion show, coveting the delicate, aged designs.
“Oh how my Tante Klara would have loved this,” I proclaim to my new friend. I relate how years ago Klara had given me a black lacy dress, sleeveless and hand-stitched. She had once worn it with panache; I was thrilled to have it as mine and wore it with infinite pleasure. Klara’s seamstress eye would have devoured this collection that was swirling slowly for appreciative fashion- lovers.
Through the following days I meet many empowered and interesting women. The Families in Global Transition Conference brings many together; they thrive in careers and raise children globally, they are entrepreneurs, authors, publishers, educators, life coaches and more. We network, learn from each other, dine, laugh, lament and celebrate as one. We comment on how fortunate we are to come together, how marvellous it is to share stories of womanhood against the backdrop of a global life. We hug our farewells, restored and uplifted.
The company of these kindred spirits comforts me in this first return to Amsterdam; the first time that Klara is no longer here. The last few visits dementia had stolen her spirit, her creative and inquisitive mind, and just a few months ago her life.
Klara first introduced me to this serene oasis, and as I was then, my friends are charmed with its beauty and calm. The houses and churches that line the square are mostly from the 17th and 18th centuries; beautiful in their aged grace as is the elderly lady we encounter.
A few days later I spend the day with a dear family friend, we were both fortunate to have been like the children that Klara never had. Hetty tells me of her final days and the peaceful end.
The first thing I had done when I arrived in Amsterdam was buy tulips. “I’ll need a vase for my bloomen, please Meneer,” I had said to my host Pierre when I checked in at the charming Seven Bridges Hotel. As if by design, my room had thick velvet curtains, an armoire and an antique oval table for those tulips. I felt as if I was back at Klara’s.

















