Tag Archives: Georgetown

A Return to Penang… Tranquility on the Hill

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As the plane glides over emerald treetops on its approach to the island, I ponder how it could feel so natural to be landing ‘home’, on the other side of the world. A place where nothing feels foreign or unfamiliar. Not the forests of tropical palms or the lush jungle greens. Nor the heat and humidity that will soon be a balm to my soul. And certainly not the storied streets of Georgetown that I’ll wander endlessly along; known to me in intimate detail from my time here as I researched a book project. On this visit, I’ll relish a one-month sojourn between here and Thailand with various friends… the snowy, white landscape of British Columbia is suddenly so very distant as the plane touches down. It’s been a twenty-some hour journey – Vancouver, Manila, Kuala Lumpur, Penang – and euphoria isn’t too strong a word to describe how I’m feeling.

Penang Island is 293 square kilometres of verdant forest, jungle and settlement, a Malta-sized island with an equally rich and fascinating history spanning the centuries. This is especially true of Georgetown, the historic enclave claimed and built by the British East India Company in 1786, a place richly steeped in layers of cultures, religions, architecture and food. I hear that its vibrancy was much subdued during the worst of the pandemic, yet I’m thankful that the Penang I adore is alive and well.

I check into my favourite boutique hotel, Campbell House where I’ve stayed often. The owners, now friends, have made each room unique, inspired by the country’s heritage, and I know that it will be the perfect start to my two-month sojourn. I spend four days in the familiar embrace of the hotel while exploring anew. I see old acquaintances and rejoice in vibrant street life. I marvel at shophouses and revel in the odd trishaw journey. I savour Penang’s enticing, iconic street food. I attend a Literature Festival, stroll through temples, seek out my favourite lanes and courtyards. But mostly I walk, walk and walk some more, finding myself coming to life as I’m immersed in the streetscapes of Georgetown.

My days come to a peaceful close on the Campbell House terrace with a glass of wine. As the sun sinks gently over the iconic shophouses and temples, the town is bathed in a palette of golden hues, the evening call to prayer drifting languidly over the rooftops. It recalls so vividly the Middle Eastern countries we’ve called home, fond memories of our time in Qatar and Oman infusing my reverie. As the humidity does its usual and frizzles my hair, the heat and ever-present tropical-green restores my travellers soul. It seems I’m home on so many levels… the delight in the familiar yet the anticipation of serendipity, wrapped in the comforting recollections of the past. And, oddly, I feel no jet-lag… perhaps it’s all a little too exhilarating for such folly!

Up On Penang Hill…

It’s early afternoon as we make our way up Penang Hill. It’s a coveted spot with spectacular vistas some 820 metres above sea level. I’ve been here a handful of times and always with anticipation as we snake our way up the narrow, twisty road. It’s lined with towering trees and dense jungle growth, playful monkeys welcoming you from the roadside. Invariably, committed walkers steadily trek their way up the hill, some even daily. I’m reminded of the not too distant past when the Colonials made their way either on horseback or were carried in their sedan chairs or palanquins. Evidently, it required four to eight coolies (depending on the weight of the passenger) for the three-hour trek along a path hacked through the dense jungle. Initially it was the government staff, then the convalescing, the curious travellers, then the bungalow owners, all seeking the cool, healthy air of the Hill.

It wasn’t long after Francis Light had claimed the island for the British East India Company (EIC) that he ordered an outpost built at the top of what would be called Flagstaff Hill. In 1803-05, Bel Retiro, likely the first bungalow, became a retreat for Governors and staff. As the Hill offers views beyond to the horizon, Flagstaff became an important post for defending the British’s newest settlement – then called Prince of Wales Island – along with Fort Cornwallis along the shore. Approaching ships spotted in the distance, triggered an alert communicated by semaphore – a system of relaying messages by flag – to personnel at the fort below. Perhaps the mail ship was nearing – at the end of its six-month journey from head office in London – prompting a crisp signal flagging that the Governor was making his way down the hill to greet the mail. Or perhaps it was an unidentified ship that portended trouble? Either way, a return down from the hill to the heat, the swampy land, and to the place of ‘jungle fever’ of the new settlement gave pause.

The root cause of malaria, a mosquito-born disease, wasn’t discovered until the end of the 1800’s, hence the attribution to ‘bad air’. Good health was a major preoccupation with early settlers in places like Penang and the other EIC settlements. Death was ever present in both young and old. Out of 35 Governors and Civil Servants appointed to Penang between 1805 – 1825, at least twenty died, along with countless wives and children. Many deaths were attributed to miasma – noxious or ‘night’ air – and prompted the EIC to build Hill Stations, both in India and Malaysia. Always located in higher, cooler altitudes than the sites of EIC bases presidencies – Calcutta, Madras, Bombay, Penang – Hill Stations were seen as an integral luxury for leisure and convalescing. When Penang became a Presidency in 1805, the convalescent bungalows became well frequented. As the fame of the Hill grew and the demand for convalescent accommodation increased, those not qualified to stay at the EIC bungalows would secure coveted plots and construct their own; with the permission of the EIC and, in those Colonial times, exclusively Anglo-Saxons.

After Prince of Wales Island was declared a Presidency, company and military staff were posted in ever greater numbers. The island even gained a reputation as the ‘Montpelier of India’ not only for its perceived healthy climate, but also for its distinctive topography. This romantic notion was cultivated by Government staff mostly from Scotland and England who held that the island evoked qualities of home but in a ‘tropical picturesque’ sense. Most of the residents and visitors to the island professed that ascending the Hill was equalled only in the Scottish Highlands, or in the Alps. Even the attap roofs of the bungalows were romantically associated with the thatched roofs of cottages in Britain.

The idea of ‘picturesque’ was proposed in an essay by Edmund Burke in the 1750’s as a novel way of perceiving and describing nature. In the 1790’s other essays by William Gilpin influenced the way travellers described landscapes… adopting words like picturesque, sublime and exotic. This language soon spread through the Grand Tours of Europe, a new lexicon that helped promote travel. These romantic literary expressions prompted writers and visitors to present Penang as a tropical island of abundance and promise. Soon, the many advertisements in the 1800’s spoke to the reverence with which Penang Hill was regarded.

‘The salubrious climate at considerable elevation.’ ‘The skies of Penang are always clear and serene, a purity of atmosphere.’ ‘Beautifully situated on the hill and exhilarating for invalids who come down from the other presidencies to obtain relief – a restoration of one’s constitution.’

Sir James Brooke, The White Rajah of Sarawak made two visits. ‘Repeated attacks of the infernal fever. I have resolved to retire for three months to the quiet and cool climate of the Hill of Penang. I feel pretty sure it would completely restore my health.’ And gushing enthusiasm from James Johnson, known as the oriental voyager from 1803-6, ‘So strikingly beautiful and grand… I could not help feasting my eyes, for hours together, within undiminished delight, on the romantic scenery with nature, assisted by art, had scattered around in bountiful profusion.’

Today the scene is still one of tranquillity, sweeping vistas and mostly a tangle of untamed jungle. But there’s no need for a palanquin or a 4×4; a narrow-gauge railway now shuttles most visitors to the top. A visit to The Habitat Penang Hill is essential, a stroll past the iconic bungalows perched on hillsides is charming, or visit The Crag where many a TV series has been filmed. Do have tea at Strawberry Hill, and if you’re as lucky as I was, treat yourself to a stay.

It’s late afternoon as my friend and I settle ourselves on the terrace of Eythrope her family’s grand home, now exquisitely reimagined as a boutique hotel. Built in 1929 and enjoying a prominent position near the top of the hill, it’s a simple, elegant Bauhaus influenced design with an exterior of pebbled earth inspired by the popular Arts and Craft Movement of the time. The original owner, E.H. Bulford, was issued the jewel-of-a-lot after a career in a Penang stockbroking firm. The view still, as it was then, is breathtaking. Beyond the canopy of sky-reaching trees and the labyrinth of jungle, Georgetown unfolds far below, backdropped by the soft-blue waters and distant mainland.

It’s just before sunset, a bottle of UMAMU wine is open and another is chilling in anticipation of long conversation. For hours, we’ll do nothing more than share stories, sip, dine and marvel endlessly at the changing vista before us. And sometime through the sublime evening, I pen this verse in my journal, indeed while ‘feasting my eyes’.

Ode to Penang Hill

With a dear friend, past designs made new, reimagining comfort and elegance… atop exquisite Penang Hill.

Simple lines meet lush green and tall palms, shadows against soft blue waters.

Birdsong and cricket cacophony, the twill of a horn-bill, the flit and swoop of swallows.

Now the rumble of thunder as the splash of hues – crimsons, pinks, lemon-drop yellows and dreamy whites – wash luxuriously across the sky.

Oh how I dream of these vistas. Ferns flowing over hillsides. Coconuts dropped to jungle floors. Terracotta roof tiles, russet squares on verdant green. And tropical flowers like make-believe… monkey cups, wild ginger and orchids.

The wonderment of time and a treasured space – silent yet bursting with whispers, with wisps of clouds shifting and floating across the bay.

City lights now shimmer against the growing dusk. The thrum of nocturnal jungle life now a deafening pitch. Golden orioles swoon to a bamboo perch. Trees sway and shudder as dusky leaf monkeys mingle and frolic.

A chill, as swirling mist obscures the vista. Then clearing to unfurl still more ethereal views. I feel such gratitude for this perfect evening.

Street Art in Penang…tri-shaws and Chinese lanterns

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IMG_0855If you’ve ever doubted the positive influence of art, you might wish to reconsider. I’m in Penang, Malaysia, where street art has helped revitalize and create a cool vibe for travellers and locals alike.

I’ll be honest, I wasn’t immediately taken with Penang; the street art was bridging a gap until I started peeling away the layers of history that make this island so fascinating. It’s a living testament to its multi-cultural heritage and unique architecture.

Wanting first impressions of Georgetown, the inner city of Penang, I sought out a tri-shaw. Considering the vast number of these well-traveled, three-wheeled contraptions, it felt like the natural way to orientate myself.

“See street art?” the tri-shaw peddler asked as I sunk into his passenger seat, a welcome respite from the long day of travel.

“Sure, one hour please,” uncertain as to how long it would take to see IMG_0724the murals. The vast array of them was a complete surprise. And I couldn’t have known how delightful and engaging they’d be.

The images depict scenes of everyday Malaysian life, with local people and heritage as the inspiration. They’re honest and often fun, a combination of paint and installation; a strategically planted bike, swing, or motorbike, completing the painted scene. Wonderfully, the pieces encourage participation as people pose with the images, creating their own interpretation.

My tri-shaw chauffeur, Mr. Goh, often encouraged me to hop off his ‘chariot’ to take photos and pose. He expertly manoeuvered his three-wheeler through the hectic narrow streets and threaded it in and out of alleyways to find some of the more hidden away murals. Unfortunately, his limited English prevented conversation, but he pointed out each mural with a smile in eager anticipation for my reaction.

IMG_0723We stopped at a popular mural where people waited patiently to pose on the bike while a young couple created their own ‘masterpiece’. They became the star attraction as we all took their photo and chatted amongst ourselves. It’s clear that street art encourages interaction.

Mural after mural was revealed as we made our way IMG_0715through this Unesco World Heritage Site. Named after George III, Penang was ceded to the British East India Company in 1786 by the Sultan of Kedah, in exchange for military protection from Siamese and Burmese armies. The golden age of Penang was soon ushered in with tin, rubber and shipping industries. Other Europeans followed the British, as well as Arabs, Armenians, Burmese, Thai, Japanese and Indians to name a few. The most prominent group were the Chinese and still today, Georgetown reflects the rich layers of culture that they and the other settling pioneers brought with them.

As Mr. Goh navigated through the narrow streets, I soaked in the street scenes of Chinese mansions and shophouses, many having been restored since the Unesco World Site designation. Chinese lanterns decorate most entrances, often intricate, always colourful and steeped in meaning. I peeked inside long, IMG_0714narrow go-downs (warehouses), marvelled at colourful Chinese temples and admired statuesque Colonial-style buildings. Diverse peoples have given Georgetown its fascinating mix of culture and architecture. The street art is a modern extension.

I learned that a young painter, Ernest Zacharevic from Lithuania is credited for many of the installations, but I find out a little more when I have lunch with some new friends today.

Of course some of the conversation touches on Penang and I mention the street art.

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“Yes,” says Geokling, “it’s a good story. And it’s done so much to bring life back to Georgetown, but it wasn’t entirely planned.”

I had been told that Geokling has the inside story of just about everything one needs to know here. Her enthusiasm is evident as she relates the tale.

“This young backpacker comes to IMG_0860 (1)Penang and decides to stay awhile. He does some busking and asks if he can paint something on one of the walls.”

I could understand his mindset as many of the buildings are a little ‘worn’ with faded layers of plaster and paint hinting at years gone by. That first mural drew attention but has since faded. Ernest returned the following year which happened to coincide with the
upcoming Georgetown Festival in 2012 and was commissioned to create more installations. They triggered an overwhelmingly positive response from the locals. The artist said he “was thrilled to unleash the creativity tucked away in the streets.”

IMG_0758“Ernest is a celebrated muralist these days,” Geokling tells me as she scrolls on her phone to show me his latest installation in a Singaporean hotel.

We both agree it’s wonderful to hear a story where a simple passion creates IMG_0871opportunity, when a little luck changes a life. And for the local people and those who visit Penang, the street art is an endearing, welcome addition to the rich culture of Georgetown.

After lunch, I’m given a ride along the waterfront by one of the young fellows who had been in the lunch group. As we pass back along Beach Street, I happen to see my favourite tri-shaw peddler on the corner, just where I had found him.

“Gosh there’s Mr. Goh,” I say out loud, “I’d love to take another tour.”

“Should I let you out here?” Frank asks.

“No, I really shouldn’t, I have a blog to write. Would you mind dropping me off at China House please IMG_0846.”

IMG_0699And so I find myself in the trendy, impossibly long China House that I had been told I must visit. It comprises three heritage buildings linked by an open courtyard that houses a cafe, restaurant, wine bar, galleries and a stage. The atmosphere is indicative of a new direction in this centuries old trading settlement that cherishes the past, but knows it must also embrace change.

“Young people are coming back to Georgetown to hang out,” Geokling had told me. That’s evident this late afternoon as candles are lit and animated chatter floats my way.

This is the kind of place in which I love to write; embraced in the whispers of the past but alive in the exuberance of today.

I look forward to returning next year and peeling back more layers of this treasure that is Penang.

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